My current body of work examines how our current administration has shifted American society toward the edge of authoritarianism. I photographed construction zones and decaying infrastructure, then print these images on copy paper. By cutting, rearranging, and collaging them before scanning, I reconfigure these fragments into unstable, disjointed compositions. This process mirrors the fragility of our civic structures. The result acts both as a record and warning, reflecting the precarious balance between transformation and collapse. The work is still in progress for my MFA show, where I have been experimenting with printing on sticky paper to reapply the collages directly onto the wall—allowing them to shift and evolve over time as the exhibition continues.